Bright Shadow Films

Hey Guys, here is a few equipment available to rent these days, just check and let us know:

Arricam 35mm film cameras (3 perf) and accessories
Description

Arricam Studio (ST) 35mm silent motion picture camera with 3 perforation movement.
Camera noise level less than 20dB. 24V power. 35mm / Super 35mm. Forwards and backwards filming, 1-60fps. 11.2 to 180 degree continuous shutter. Temperature regime from -10 to +40 degrees. Weighs only 12 kg in hand-held / steadicam modes. Camera supports LDS technology. The world’s most advanced silent motion picture camera!
Basic camera set includes: Ground Glass (to choice – see list) Studio Viewfinder, Studio Integrated Video System (IVS) PAL, Video Only Top, Frame Glow Module, Frame Glow Masks (to choice – see list), Heated Eyecup, Eye Cushions, Zoom Viewfinder Extension, 6 inch on-board monitor, Magazine Back Load Adapter, Power Bridge Plate BP-3 with all 19mm rods, Lens Data Box, Speed Control Box, and Lens Data Display for Focus-Puller.

Arricam Lite (LT) 35mm silent motion picture camera with 3 perforation movement.
24V power. 35mm / Super 35mm. Noise level less than 24dB. Forwards and backwards filming, 1-40fps. 11.2 to 180 degree continuous shutter. Temperature regime from -10 to +40 degrees. Total weight in hand-held / steadicam modes only 10kg. Camera supports LDS technology. An incredibly mobile and adaptable silent motion picture camera!
Basic camera set includes: Ground Glass (to choice – see list), Lite Viewfinder 2, Lite Integrated Video System (IVS) PAL, Video Only Top, Frame Glow Module, Frame Glow Mask (to choice – see list), Heated Eyecup, Eye Cushions, Medium Viewfinder Extension, 6 inch on-board monitor, Studio Magazine to Lite Camera Adapter,  Power Bridge Plate BP-3 with all 19mm rods, Lens Data Box and Lens Data Display for Focus-Puller.

Ground Glasses and Frameglow Masks

Ground Glass Standard 35mm – 3P 1:1.33
Ground Glass Standard 35mm – 3P 1:1.66
Ground Glass Standard 35mm – 1:1.85
Ground Glass ANSI Super 35mm – 3P 1:1.78 / 1:1.33
Ground Glass ANSI Super 35mm – 1:1.85
Ground Glass ANSI Super 35mm – 1:2.35
Ground Glass ANSI Super 35mm – 1:2.35 / 1:1.85 shared top (for Lite only!)

Frameglow Mask Standard 35mm – 3P 1:1.33
Frameglow Mask Standard 35mm – 3P 1:1.66
Frameglow Mask Standard 35mm – 1:1.85
Frameglow Mask ANSI Super 35mm – 3P 1:1.78 / 1:1.33
Frameglow Mask ANSI Super 35mm – 1:1.85
Frameglow Mask ANSI Super 35mm – 1:2.35
Frameglow Mask ANSI Super 35mm – 1:2.35 / 1:1.85 shared top (for Lite only!)

Magazines

Studio Magazine 300m / 1000ft.
Studio Magazine 120m / 400ft.
Lite Steadicam Magazine 120m / 400 ft.
Lite Shoulder Magazine 120m / 400 ft.
(n.b. Studio magazines fit on Lite camera (with included adapter); Lite magazines DO NOT fit on Studio camera!)

Electronic Accessories (see also LDS Remote Control System)

Pick-Up Box – for in-frame synchronisation with TV monitors
Timing Shift Box – for adjustment of mirror shutter and movement to create variety of streaking effects
Manual Control Box – allows control of camera speed and iris / shutter ramps by hand
Remote Control Station (with cables) – for remote control of camera by cable. Accepts Speed Control Box, Manual Control Box, Pick-Up Box, Timing Shift Box and Lens Data Display

Mechanical Accessories

Shoulder Set (for handheld operation)
Camera Handgrip Right (for handheld operation)
Universal Low Mode Set (for hanging camera close to ground)

Power Supply

26V Mains Power Supply
24V / 7 Ah NC battery (switchable to 12V); needs charger
Battery Charger
Battery Belt (24V / 8Ah) with charger
24V / 13 Ah NC battery (switchable to 12V), inbuilt charger

Other Items

Scubacam raincover for Arricam
Arriflex 435 Xtreme 35mm film camera (3 perf)
Description

Arri 435 Xtreme 35mm motion picture camera (MOS) with 3 perf movement
1-150 fps, 24V power, MOS (non-sound!), tolerant of extreme temperature variations; the ideal workhorse for all non-sync sound work. Camera supports all LDS functions.
Our camera set includes camera body, viewfinder extension FE-5, heated eyecup, integrated colour video, frameglow module, 6 inch on-board camera monitor, handgrip, FEM-2 expansion module, URM-3 receiver, CHS-2 module (for high speed work), and bridgeplate.

Ground Glasses and Frameglow Masks:

Ground Glass Super 35mm ANSI 3P-TV (1:1.33/1:1.78)
Ground Glass Super 35mm ANSI 1:1.85
Ground Glass Super 35mm ANSI 1:2.35
Frameglow Mask Super 35mm ANSI 3P-TV (1:1.33/1.78)
Frameglow Mask Super 35mm ANSI 1:1.85
Frameglow Mask Super 35mm ANSI 1:2.35

Magazines

120m Arri 435 magazine
120m Arri 435 Steadicam magazine
300m Arri 435 magazine

Mechanical Accessories

Video Top / Low Mode Set
Shoulder Set (for handheld work)
Camera Handgrip Right (for handheld work)

Power Supply

26V Mains Power Supply
24V / 7 Ah NC battery (switchable to 12V); needs charger
Battery Charger for 24V / 7Ah batteries
Battery Belt (24V / 8Ah) with charger
24V / 13 Ah NC battery (switchable to 12V), inbuilt charger

Underwater / near water filming

Scubacam Splash Bag for Arri 435; for use on and near water surface and underwater up to depths of 4m /12 feet
Hydroflex Underwater Box for Arri 435, for use underwater up to 40m depth

Other Items

Scubacam Rain Cover for Arri 435
Arriflex 235 35mm film camera (3 perf)
Description

Arriflex 235 35mm motion picture camera (MOS) with 3 perf movement
1-60 fps, 24V power, MOS (loud!); Our camera set includes camera body, viewfinder extension MEE-1, heated eyecup, integrated video system, frame glow module, 6 inch on-board camera monitor, handgrip, side bracket and bridgeplate. Please order all other accessories separately!

Ground Glasses and Frameglow Masks:

Ground Glass Super 35mm ANSI 3P-TV (1:1.33/1:1.78)
Ground Glass Super 35mm ANSI 1:1.85
Ground Glass Super 35mm ANSI 1:2.35
Frameglow Mask Super 35mm ANSI 3P-TV (1:1.33/1.78)
Frameglow Mask Super 35mm ANSI 1:1.85
Frameglow Mask Super 35mm ANSI 1:2.35

Magazines

120m Arri 235 magazine
120m Arri 235 Steadicam magazine
120m Arri 235 shoulder magazine

Mechanical Accessories

Low Mode Support (LMS-1)
Riser Plate

Power Supply

26V Mains Power Supply
On-board battery
On-board battery charger
Accessory Power Box (APB)

Other Items

Scubacam Rain Cover for Arri 235
35mm spherical lenses
Description

Prime Lens Sets

Arri-Zeiss LDS Ultra-Primes lens set – 12mm, 14mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm, 180mm

Arri-Zeiss LDS Master Primes lens set – 16mm, 18mm, 21mm, 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm PLUS Master Diopters +0.5, +1, +2

Arri-Zeiss High Speed Primes set – 18mm, 25mm, 35mm, 50mm, 65mm, 85mm (new 2005!)

Individual Prime Lenses

8mm Zeiss Ultra Prime lens
10mm Zeiss Ultra Prime lens
LDS 12mm Zeiss Ultra Prime lens
LDS 14mm Zeiss Ultra Prime lens
LDS 16mm Zeiss Ultra Prime lens
LDS 20mm Zeiss Ultra Prime lens
LDS 24mm Zeiss Ultra Prime lens
LDS 28mm Zeiss Ultra-Prime lens
LDS 32mm Zeiss Ultra Prime lens
LDS 40mm Zeiss Ultra Prime lens
LDS 50mm Zeiss Ultra Prime lens
LDS 65mm Zeiss Ultra Prime lens
LDS 85mm Zeiss Ultra Prime lens
LDS 100mm Zeiss Ultra Prime lens
LDS 135mm Zeiss Ultra Prime lens
LDS 180mm Zeiss Ultra-Prime lens

18mm Zeiss High Speed lens
25mm Zeiss High Speed lens
35mm Zeiss High Speed lens
50mm Zeiss High Speed lens
65mm Zeiss High Speed lens
85mm Zeiss High Speed lens

Zoom Lenses

24mm – 290mm Angenieux Optimo zoom lens + 2x extender
17-102mm Angenieux HR zoom lens
25-250mm Angenieux HR zoom lens
Cooke Mk 2 25-250mm zoom lens
28-80mm Opton zoom lens, t3.2 (lightweight! – ideal for handheld work)

Servo Motor ZMU-3 for zoom lenses

Macro and Close-Focus Lenses

40mm Arri-Macro T 2.1 lens
60mm Arri-Macro T2.1 lens
100mm Arri-Macro T 2.8 lens

Please call if anamorphic lenses are required!

LDS Remote Control System
Description

(n.b. Lens Data Display for Focus-Puller (LDD-FP) already included in all ArtLite LDS camera packages!)

Arri LDS Radio Control System (complete set)
This LDS system automatically calibrates all LDS Ultra-Prime and Cooke S4i lenses and controls all functions of the camera from up to 100 metres. The system calculates depth of field, allows for up to 8 electronic focus marks, displays on screen information from CineTape ultrasonic measuign system, and displays and records full data on operation of camera. Camera functions fully-remote controlled included focus, iris, zoom, on/off, speed, ramps and more!
System comprises Wireless Main Unit, Wireless Battery Units, Wireless Focus / Iris Unit, Wireless Zoom Unit WZU-3; Remote Speed Control Box; Cine Tape Measuring System (ultrasonic focus rangefinder); and three remote controlled lens / iris / zoom motors.

Arri LDS Radio Control System (limited set)
This LDS system automatically calibrates all LDS Ultra-Prime and Cooke S4i lenses and controls most functions of the camera from up to 100 metres. The system calculates depth of field, allows for up to 8 electronic focus marks, and displays and records full data on operation of camera. Camera functions fully-remote controlled included focus, iris, on/off, speed, ramps and more!
System comprises Wireless Main Unit, Wireless Battery Units, Wireless Focus / Iris Unit, Remote Speed Control Box, and two remote controlled lens / iris / zoom motors.

Camera Accessories
Description

Matte-Boxes

Lightweight Matte Box Set LMB-5 (4″ x 4″ filters)
Matte Box Set MB-14 (6.6″ x 6.6″ + 4″ x 4″ filters)
Matte Box Set MB-16 (4″ x 4″ filters)

Follow-Focus

Lightweight Follow Focus Set FF1 + flexible shaft
Follow Focus Set FF3 + flexible shaft
Denz Follow-Focus (simplified FF-3)

Rain Deflection System

Rain Deflection System

Director’s Viewfinder

Arri Director’s Viewfinder (PL mount, with 1:1.33, 1:1.85 and 1:2.35 ground glasses)
Denz Director’s Viewfinder (PL mount)

Automatic Focus Systems
CineTape Measuring System (ultrasonic focus rangefinder)

Light Meters

Minolta SpotMeter F
Minolta Exposure Meter IV F
Minolta Colour Temperature Meter

Slates (Clapper-Boards)

Ambient Radio Timecode Master Film Slate
Film Slates (White)
Film Slate (Black)

Small Accessories

Radios
Harrison Film Changing Tents
Gecko-Cam Large Film Changing Bag
Grey and Colour Control Cards
Magliner style kit trolley
Easy-Up Tent – 2m x 3m x 1.8m
Director’s Chairs

Tiffen Glass Filters
Description

4 inch x 4 inch filters (for MB-14, MB-16, and LMB-5 matte-boxes)

Clear Glass (Protective)
Sky 1A
Haze 2A
Linear Polariser
ND 0.3
ND 0.6
ND 0.9
ND 1.2
85
85 ND 0.3
85 ND 0.6
85 ND 0.9
Grad Soft Edge – Clear / ND 0.3
Grad Soft Edge – Clear / ND 0.6
Grad Soft Edge – Clear / ND 0.9
Grad Soft Edge – Clear / Skyfire 2
Grad Soft Edge – Clear / Sunset 1
Grad Soft Edge – Clear / Blue 2
Enhancer
Pro-Mist 1/2
Black ProMist 1
Warm Pro-Mist 1
812
Ultra-Contrast
Fog 1
Cool Day for Night
Coral 1
Tobacco 1
FL-B (to balance flourescent lights)

6.6 inch x 6.6 inch filters (for MB-14 and LMB-4 matte-boxes)

Clear Glass (Protective)
Sky 1A
Linear Polariser
Warm Polariser
ND 0.3
ND 0.6
ND 0.9
85
85 ND 0.3
85 ND 0.6
85 ND 0.9
Grad Soft Edge – Clear / ND 0.3
Grad Soft Edge – Clear / ND 0.6
Grad Soft Edge – Clear / ND 0.9
Grad Hard Edge – Clear / ND 0.6
Grad Hard Edge – Clear / ND 0.9
Cool Day for Night
Tobacco 1
Coral 1/2

SPECIAL OFFER: Every fifth filter ordered is FREE!!!
Heads, Tripods, Camera Support Systems
Description

Heads and Tripod Sets

O’Connor Fluid Head 2575C-3F + 155 tripod + 155 Baby tripod + High Hat
Ronford “Atlas” Fluid Head + Long + Short Legs
Sachtler “Cine 75″ fluid head + long legs, medium legs + short legs
Sachtler “Studio 9+9″ fluid head + medium/long legs + short legs
Arrihead 2 (geared pan and tilt tripod head with legs)

Other Camera Support Systems

Ronford Low Angle Tripod Set – includes High-Hat, drill plates, suction cup mounts, lazy leg, low-profile ball mount, and much more!
Ronford Series 7 Mk IV 3-axis head (all three axis rotate 360 degrees, camera can also be underhung within 2 cm of ground; many more options than a simple Dutch head!)
Mini-Skater mini-dolly system – slides camera across flat surfaces at very low angles!
Denz Swinghead (for simple “Dutch” camera angles)
GFM Tilt Plate (tilts camera when mounted on head up to 104 degrees (i.e. past vertical))
Large “Cinesaddle” saddle bag (for 35mm cameras)

See also Camera Grip and Rigging section

Playback and On-Set Editing Systems
Description

Lightweight Portable Playback Systems

Panther complete mobile playback system with video transmitter and combined video receiver / Sony DV watchman unit. Ideal for Steadicam and handheld filming.
Transvideo Titan professional video sender and receiver system  (range 300m – goes through walls!); 2.4 to 2.5GHz frequency (legal in all countries), 5 available channels, 9V-36V power, 200g unit weight. Requires monitors and recorder!

Rack-based Playback Systems

Doremi V1×2 professional digital video recorder playback system – records video from 2 cameras at same time with 4 channels of sound, logs “takes”, and allows instant access to all material. This high-end playback system features high-low speed camera simulation, variable compression rates, over 34 hours of storage space, and output of material to VHS, DVD or computer. Complete with system monitor, 1 x 17″ professional monitor, 2 x 14″ professional monitors, and Transvideo Titan sender / receiver .
Hard disc / DVD recorder playback system with over 20 hours of hard disc storage space, VHS recorder, and 1 x 14″ professional monitor

On-Set Edit / Playback System

On-set editing system – Apple Mac G5 2 x 2.5 GHz 2GB RAM 240 GB memory computer with Deck-Link Extreme video card (no compression!). Software includes Final Cut Pro and After FX Pro.
Frozen Moments Still Photo-Camera Array
Description

Frozen Moments photo camera array – 100 professional camera system with equipped with 28mm-80mm lenses, plus digital control. Can be fired sequentially or simultaneously, in a circle or various other configurations. The only limit is your imagination!

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