Bright Shadow Films » Film Production

Nike 6.0 Stoked Tour-1

admin — Thu, 03 Jun 2010 05:09:46 +0000

It might has nothing to do with the company but it’s still cool because it was did by me, I went to Beijing with the NIKE 6.0 BMX crew for two days, did some filming about it as well.

Beijing is called the center of film&art, most expats there enjoy the Chinese culture and old Beijing enviroment, with the Olympics, the government is trying to refresh this city with some new elements, it does make this city much cooler.

Here is a video made by me two days ago about the BMX trip.

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Adobe CS 5 release today!

admin — Tue, 04 May 2010 02:43:54 +0000

As many of you probably has been testing the cracked versions somewhere, adobe cs5 is going to be available in the store today, with many new amazing features updates in photoshop, premiere and other software in the suite, it’s going to make the a bunch of creative people excited about it for quite a while.

To us the most important thing would be premiere update, so far what I have heard is that the RED 4k editing ability of premiere will be much better, especially you will find out that with a Quadro FX graphic card, you can easily playback all the 4k footage on your PC. Same thing would be much useful for those of you who want to replace the background, special effect, video encoding etc, they all will be faster!

Many people would be surprise how these things could be updated in this version of Creative Suite, I am not surprised with these new functions, if you are always pay attention in the graphic card company you will know the reason, ever since the Nvidia released the PhyX and Cuda, adobe has been follow up the tech for a while, last year, some codec software even released some CUDA based version, which allows you to convert the video 3 times faster.

Interested? Here is the preview of the premiere CS5, you will love it.

Adobe Premiere Pro CS5 – Mercury Playback Engine Sneak Peek

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Server For Film Production?

admin — Wed, 28 Apr 2010 18:33:07 +0000

As a film production company you might deal with many clients everyday, ever since film production turn into a industry, people start to think about the idea of making everything faster, in this way you will have more advantage than others who don’t care about the communication. Nowadays, people try to make this better by digital revolution, all the stuff you heard of: google calender, skype, gmail, etc.

When it comes to the solid solution, a proper server always comes first, you might heard of server as a IT term, it’s not as far as you think in film production, in the big company you heard of: icon film, dreamwork studio, HBO, etc, that’s where the big server boxes can be founded.

So what exactly does it help in a production company?

Today, I want to show you a little bit of what a server can do in film production company.

1) Files Back up: now if you think your harddrive is stable enough then you should google “harddrive broken” and find our how many people suffering from harddrive everyday, we are talking about keeping you and your employee’s document safe somewhere else out of the computer, same logic for the post-production, footage, project files, all needs to be saved somewhere else as a back up.

Most server can run the back up with your LAN connected computer, daily, weekly or according to your schedule. Moreover, if you are running a linux server, the harddrive partition works better than PC, no worries for the maintaince, linux will take care of it.

2) Printer sharing server: printing is such a basic office work, if you have a printer with a net adapter then good for you, but if you don’t, server will take care of that, with a printer sharing server, you can share the printer all over the LAN, even with the VPN while you are miles away from the office.

One other thing you should consider as a good thing, printer is not consider as a healthy thing in the office, it polluted air as much as a mine powered car does(I guess), so keep the printer away from the person is the best thing you can do when you hope the office air gets better.

3) USB nanny: USB and mobile harddrive is everywhere nowadays, same as the virus, you can’t really risk your post production computer to have it, nor does your production office PC, so having a server could make it easier, normally a server with anti-virus software could help you avoid those virus, same time some 64 bits OS(WIN 2008, Linux, Mac) doesn’t have trouble with virus since most of the virus are 32 bits.

When the virus scanning is done(usually less than 10 seconds by Kaspersky), you can copy the file through the LAN to anywhere you want safely.

One more thing you should remember, Anti-virus software is not recommanded to be installed in PC, so having a server can save you from that awkward situation.

4) Internet Routing: this is a function which server can offer nicely, the server can simply control the bandwidth of your internet, especially stop the Bit-torrent, over-speed download. Server will simply arrange the speed for each computer in a average way or the way you want it to be.

5) Communication: it’s not ancient time and people no longer shout to each other in the office, you need a platform to organize a office, you can find so many server based communication software out there, such like IBM lotus, Microsoft ERP, etc.

For a production company you can easily have a platform between pre-production, management, post-production, or even with the creative guys, by having this platform, people no longer need to stick post-it everywhere, share the info by a few mouse click. The idea is share the info in group, the software in server usually offer some function like task map, status update(like twitter), file sharing, calender sync.

It’s one of the key function people looking for, a good platform now could work not only with Computer, but also with your mobile phone.

6) Website: website runs on server somewhere you probably never been to, but it could be closer! If you have enough bandwidth and one static IP(in China it’s expensive), set up a website on your server is just cool. Even if you don’t have a website but you want to create one for the people in the company, you can do that, by creating a company wiki, you editor now could explain to most of people how to upload the footage from camera to the computer, and it’s only in your company.

Above are the 6 key functions I can think of how a server could help a film/video production company better, a little bit more:

A branded server usually cost you some money, to achieve the function, you might need:

XEON CPU*1, 2G Memory*1, Harddrive 2T to 10T or more, stable power supply with a UPS supply in case, a solid server tower case, a cool place to store it.

Usually it won’t cost you more than 2000USD for everything, depends on how big your server harddrive.

There are so many article out there introduce the server, but did you know you can set up a server with a old PC? We are going to show you how later this week how we did it.

If you have any comment or info want to share with us, feel free to leave them here, we really appreciate it.

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Green Screen Expo Project

admin — Wed, 21 Apr 2010 04:05:52 +0000

Shooting Green Screen is always fun, lucky us have this client coming this month, they required a 3M*6M*3M green screen and needs everything to be done in one day.

We managed to finish the shoot earlier than we thought because of the experience crew we always work with.

Green Screen Shoot China Expo

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Shooting In HongKong?Let’s do it!

admin — Sat, 03 Apr 2010 07:34:45 +0000

We had a shooting in Hongkong beginning of this year, the client requested the production support from us, the client didn’t know how would it go, they required location scouting, equipment rental, production support and expect everything to be finished in one week, with the great network and resource we have, we manage to arrange the shoot smoothly, the client were happy about the result.

Just in case you have to have a quick look:

There is a Bright Shadow Production assistant live in HK? Of course we do, JoJo is our hero in this shoot!

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123RF.com Launches New Website with Many Exciting Features

admin — Fri, 02 Apr 2010 11:20:09 +0000

(Houston, Texas–March 31, 2010) Royalty-Free stock library 123RF.com has relaunched its website promising to be faster, more responsive given a sleeker and modernized interface furnished with several added features.

“We recognize that some of our clients are always on the move, so we’ve developed a mobile-enabled website that specially caters to clients who own an iPhone, iPod or other 3G enabled device. The mobile website can be accessed immediately at http//:m.123rf.com.” says Stephanie Sitt, CEO of 123RF.com.

“Among other features that clients can enjoy at the new 123RF.com are the extra-large image sizes in 100, 200 and 300 MB TIFFs that are available on demand. Though these image sizes cost a little more, we’re confident that our clients will appreciate this value-added service – thanks to our partnership with a team of expert image enlargement professionals.” adds Sitt.

To commemorate this event, 123RF.com is celebrating the launch by running a 3-month Apple iPad Giveaway campaign. Every week until the end of May 2010, 123RF.com will give away 4 Apple iPads to 4 lucky winners who have joined as a Fan on 123RF’s Facebook Fan Page (http://facebook.com/123rfFans), retweeted a message from 123RF’s Twitter account (http://twitter.com/123rf) or made a purchase on 123RF.com. “It’s one of the many ways that we reward our loyal customers for their continued support for 123RF.com” says Sitt.

123RF.com is currently seeking business partners who wish to represent 123RF.com to their business community. 123RF’s business development team promises good income sharing models, responsive partner support and technical help for suitable partners. Sitt elaborates further by saying, “Interested Entrepreneurs wanting to jump-start a Microstock business are invited to contact us at partners@123rf.com to further explore business possibilities or obtain further information.”

About 123RF.com
123RF.com is a royalty-free stock photo library, also a targeted subscriber and community-based website that provides an avenue for the creative community. The 123RF.com platform gives photographers, illustrators and designers a chance to showcase their photographs, vector illustrations and design talent, allowing them to promote and sell their creations to a worldwide audience. Since its debut in June 2005, 123RF.com today hosts over 6,500,000 stock photographs and vector illustrations with over 8,000 photographers and illustrators.

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CFPC’s project is on theatrical release

admin — Thu, 11 Mar 2010 08:49:07 +0000

Directed by China’s young director Yang Shupeng, THE ROBBER, whose leading actors include Hu Jun and Jiang Wu, has been on theatrical release since Nov 20th, 2009.

THE ROBBER is one of the films going public screening among the projects of SIFF’s China Film Pitch and Catch. It is Yang’s second feature film after his maiden work THE COLD FLAME.

Since its debut in CFPC of SIFF 2007, THE ROBBER has been considered as market promising and won CFPC’s award for Most Promising Project to Invest. It was well evaluated by investors and received collaboration intentions from international distributors including AVIX of Japan when it started to shoot.

In addition to THE ROBBER, other CFPC’s projects such as ONCE UPON A TIME IN TIBET by DAI Wei and THE LAST RAINSTORM by Leste Chen are now almost finished and scheduled for theatrical release the coming year.

SIFF’s CFPC serves as a bridge for the connection between film projects and investors, the place in which the young film makes can benefit from the concept of investors as well as their insight to the market. This helps young film makers better understand the market and enlarge the possibility for their project’s success.

The China Film Pitch and Catch is one of SIFF’s efforts to explore, support and promote the young. During the past few years, SIFF integrated its resource to be an effective system consisting of pitching, co-production and competition. The China’s annual leading festival hopes these efforts could encourage directors’ brave innovation and practice in arts while at the same time provide them the chance for their development worldwide. Wanma Caidan, SIFF’s best director of Asian New Talent Award 2006 for his THE SILENT HOLY STONES, brought his project ON THE ROAD TO LHASA to CFPC. His latest THE SEARCH competed for the grand Jin Jue Award of SIFF and is selected by the jury panel head by Danny Boyle as the winner of Jury Grand Prix. It’s now going for the theatrical screening in France by the end this year.

Either Yang Shupeng or Wanma Caidan, or THE ROBBER or THE SEARCH, it’s just a start. The young generation of China’s Film Industry grows fast and shows their talent to the world. The Shanghai International Film Festival will continue to set up a international stage for them.

The 13th Shanghai International Film Festival is due to start on June 12, 2010.

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Application materials for a Sino-foreign co-production

admin — Fri, 11 Dec 2009 06:55:45 +0000

The following application materials are required for all modes of Sino-foreign co-production except stated otherwise.

Approval of co-production project

Application memorandum prepared by the Chinese party, stating among others Chinese and English names of the parties to the co-production, contact details of the parties, film title, brief description of the film, brief introduction to the main cast, production schedule and filming location;

Certificate of Incorporation (photocopy) and bank reference letter of the foreign party (original);

Introduction to the foreign party’s business activities and history in film production, as appropriate;

Synopsis in Chinese;
5 sets of the screenplay in Chinese;
Letter of intent or co-production agreement between the parties (photocopy);
Name, citizenship, brief resume and role of the principal cast;\
Name, citizenship and brief resume of principal crew, namely director, screenwriter, director of photography and art director.

Approval of completed film

Completed film embodied in tapes or discs;
Confirmation letter stating the actual investment made by the respective parties (not required for assisted production);
6 stills in electronic, discs or printed form.

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Production Equipment Rental List

admin — Mon, 07 Dec 2009 09:14:47 +0000

Hey Guys, here is a few equipment available to rent these days, just check and let us know:

Arricam 35mm film cameras (3 perf) and accessories
Description

Arricam Studio (ST) 35mm silent motion picture camera with 3 perforation movement.
Camera noise level less than 20dB. 24V power. 35mm / Super 35mm. Forwards and backwards filming, 1-60fps. 11.2 to 180 degree continuous shutter. Temperature regime from -10 to +40 degrees. Weighs only 12 kg in hand-held / steadicam modes. Camera supports LDS technology. The world’s most advanced silent motion picture camera!
Basic camera set includes: Ground Glass (to choice – see list) Studio Viewfinder, Studio Integrated Video System (IVS) PAL, Video Only Top, Frame Glow Module, Frame Glow Masks (to choice – see list), Heated Eyecup, Eye Cushions, Zoom Viewfinder Extension, 6 inch on-board monitor, Magazine Back Load Adapter, Power Bridge Plate BP-3 with all 19mm rods, Lens Data Box, Speed Control Box, and Lens Data Display for Focus-Puller.

Arricam Lite (LT) 35mm silent motion picture camera with 3 perforation movement.
24V power. 35mm / Super 35mm. Noise level less than 24dB. Forwards and backwards filming, 1-40fps. 11.2 to 180 degree continuous shutter. Temperature regime from -10 to +40 degrees. Total weight in hand-held / steadicam modes only 10kg. Camera supports LDS technology. An incredibly mobile and adaptable silent motion picture camera!
Basic camera set includes: Ground Glass (to choice – see list), Lite Viewfinder 2, Lite Integrated Video System (IVS) PAL, Video Only Top, Frame Glow Module, Frame Glow Mask (to choice – see list), Heated Eyecup, Eye Cushions, Medium Viewfinder Extension, 6 inch on-board monitor, Studio Magazine to Lite Camera Adapter, Power Bridge Plate BP-3 with all 19mm rods, Lens Data Box and Lens Data Display for Focus-Puller.

Ground Glasses and Frameglow Masks

Ground Glass Standard 35mm – 3P 1:1.33
Ground Glass Standard 35mm – 3P 1:1.66
Ground Glass Standard 35mm – 1:1.85
Ground Glass ANSI Super 35mm – 3P 1:1.78 / 1:1.33
Ground Glass ANSI Super 35mm – 1:1.85
Ground Glass ANSI Super 35mm – 1:2.35
Ground Glass ANSI Super 35mm – 1:2.35 / 1:1.85 shared top (for Lite only!)

Frameglow Mask Standard 35mm – 3P 1:1.33
Frameglow Mask Standard 35mm – 3P 1:1.66
Frameglow Mask Standard 35mm – 1:1.85
Frameglow Mask ANSI Super 35mm – 3P 1:1.78 / 1:1.33
Frameglow Mask ANSI Super 35mm – 1:1.85
Frameglow Mask ANSI Super 35mm – 1:2.35
Frameglow Mask ANSI Super 35mm – 1:2.35 / 1:1.85 shared top (for Lite only!)

Magazines

Studio Magazine 300m / 1000ft.
Studio Magazine 120m / 400ft.
Lite Steadicam Magazine 120m / 400 ft.
Lite Shoulder Magazine 120m / 400 ft.
(n.b. Studio magazines fit on Lite camera (with included adapter); Lite magazines DO NOT fit on Studio camera!)

Electronic Accessories (see also LDS Remote Control System)

Pick-Up Box – for in-frame synchronisation with TV monitors
Timing Shift Box – for adjustment of mirror shutter and movement to create variety of streaking effects
Manual Control Box – allows control of camera speed and iris / shutter ramps by hand
Remote Control Station (with cables) – for remote control of camera by cable. Accepts Speed Control Box, Manual Control Box, Pick-Up Box, Timing Shift Box and Lens Data Display

Mechanical Accessories

Shoulder Set (for handheld operation)
Camera Handgrip Right (for handheld operation)
Universal Low Mode Set (for hanging camera close to ground)

Power Supply

26V Mains Power Supply
24V / 7 Ah NC battery (switchable to 12V); needs charger
Battery Charger
Battery Belt (24V / 8Ah) with charger
24V / 13 Ah NC battery (switchable to 12V), inbuilt charger

Other Items

Scubacam raincover for Arricam
Arriflex 435 Xtreme 35mm film camera (3 perf)
Description

Arri 435 Xtreme 35mm motion picture camera (MOS) with 3 perf movement
1-150 fps, 24V power, MOS (non-sound!), tolerant of extreme temperature variations; the ideal workhorse for all non-sync sound work. Camera supports all LDS functions.
Our camera set includes camera body, viewfinder extension FE-5, heated eyecup, integrated colour video, frameglow module, 6 inch on-board camera monitor, handgrip, FEM-2 expansion module, URM-3 receiver, CHS-2 module (for high speed work), and bridgeplate.

Ground Glasses and Frameglow Masks:

Ground Glass Super 35mm ANSI 3P-TV (1:1.33/1:1.78)
Ground Glass Super 35mm ANSI 1:1.85
Ground Glass Super 35mm ANSI 1:2.35
Frameglow Mask Super 35mm ANSI 3P-TV (1:1.33/1.78)
Frameglow Mask Super 35mm ANSI 1:1.85
Frameglow Mask Super 35mm ANSI 1:2.35

Magazines

120m Arri 435 magazine
120m Arri 435 Steadicam magazine
300m Arri 435 magazine

Mechanical Accessories

Video Top / Low Mode Set
Shoulder Set (for handheld work)
Camera Handgrip Right (for handheld work)

Power Supply

26V Mains Power Supply
24V / 7 Ah NC battery (switchable to 12V); needs charger
Battery Charger for 24V / 7Ah batteries
Battery Belt (24V / 8Ah) with charger
24V / 13 Ah NC battery (switchable to 12V), inbuilt charger

Underwater / near water filming

Scubacam Splash Bag for Arri 435; for use on and near water surface and underwater up to depths of 4m /12 feet
Hydroflex Underwater Box for Arri 435, for use underwater up to 40m depth

Other Items

Scubacam Rain Cover for Arri 435
Arriflex 235 35mm film camera (3 perf)
Description

Arriflex 235 35mm motion picture camera (MOS) with 3 perf movement
1-60 fps, 24V power, MOS (loud!); Our camera set includes camera body, viewfinder extension MEE-1, heated eyecup, integrated video system, frame glow module, 6 inch on-board camera monitor, handgrip, side bracket and bridgeplate. Please order all other accessories separately!

Ground Glasses and Frameglow Masks:

Magazines

120m Arri 235 magazine
120m Arri 235 Steadicam magazine
120m Arri 235 shoulder magazine

Mechanical Accessories

Low Mode Support (LMS-1)
Riser Plate

Power Supply

26V Mains Power Supply
On-board battery
On-board battery charger
Accessory Power Box (APB)

Other Items

Scubacam Rain Cover for Arri 235
35mm spherical lenses
Description

Prime Lens Sets

Arri-Zeiss LDS Ultra-Primes lens set – 12mm, 14mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm, 180mm

Arri-Zeiss LDS Master Primes lens set – 16mm, 18mm, 21mm, 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm PLUS Master Diopters +0.5, +1, +2

Arri-Zeiss High Speed Primes set – 18mm, 25mm, 35mm, 50mm, 65mm, 85mm (new 2005!)

Individual Prime Lenses

8mm Zeiss Ultra Prime lens
10mm Zeiss Ultra Prime lens
LDS 12mm Zeiss Ultra Prime lens
LDS 14mm Zeiss Ultra Prime lens
LDS 16mm Zeiss Ultra Prime lens
LDS 20mm Zeiss Ultra Prime lens
LDS 24mm Zeiss Ultra Prime lens
LDS 28mm Zeiss Ultra-Prime lens
LDS 32mm Zeiss Ultra Prime lens
LDS 40mm Zeiss Ultra Prime lens
LDS 50mm Zeiss Ultra Prime lens
LDS 65mm Zeiss Ultra Prime lens
LDS 85mm Zeiss Ultra Prime lens
LDS 100mm Zeiss Ultra Prime lens
LDS 135mm Zeiss Ultra Prime lens
LDS 180mm Zeiss Ultra-Prime lens

18mm Zeiss High Speed lens
25mm Zeiss High Speed lens
35mm Zeiss High Speed lens
50mm Zeiss High Speed lens
65mm Zeiss High Speed lens
85mm Zeiss High Speed lens

Zoom Lenses

24mm – 290mm Angenieux Optimo zoom lens + 2x extender
17-102mm Angenieux HR zoom lens
25-250mm Angenieux HR zoom lens
Cooke Mk 2 25-250mm zoom lens
28-80mm Opton zoom lens, t3.2 (lightweight! – ideal for handheld work)

Servo Motor ZMU-3 for zoom lenses

Macro and Close-Focus Lenses

40mm Arri-Macro T 2.1 lens
60mm Arri-Macro T2.1 lens
100mm Arri-Macro T 2.8 lens

Please call if anamorphic lenses are required!

LDS Remote Control System
Description

(n.b. Lens Data Display for Focus-Puller (LDD-FP) already included in all ArtLite LDS camera packages!)

Arri LDS Radio Control System (complete set)
This LDS system automatically calibrates all LDS Ultra-Prime and Cooke S4i lenses and controls all functions of the camera from up to 100 metres. The system calculates depth of field, allows for up to 8 electronic focus marks, displays on screen information from CineTape ultrasonic measuign system, and displays and records full data on operation of camera. Camera functions fully-remote controlled included focus, iris, zoom, on/off, speed, ramps and more!
System comprises Wireless Main Unit, Wireless Battery Units, Wireless Focus / Iris Unit, Wireless Zoom Unit WZU-3; Remote Speed Control Box; Cine Tape Measuring System (ultrasonic focus rangefinder); and three remote controlled lens / iris / zoom motors.

Arri LDS Radio Control System (limited set)
This LDS system automatically calibrates all LDS Ultra-Prime and Cooke S4i lenses and controls most functions of the camera from up to 100 metres. The system calculates depth of field, allows for up to 8 electronic focus marks, and displays and records full data on operation of camera. Camera functions fully-remote controlled included focus, iris, on/off, speed, ramps and more!
System comprises Wireless Main Unit, Wireless Battery Units, Wireless Focus / Iris Unit, Remote Speed Control Box, and two remote controlled lens / iris / zoom motors.

Camera Accessories
Description

Matte-Boxes

Lightweight Matte Box Set LMB-5 (4″ x 4″ filters)
Matte Box Set MB-14 (6.6″ x 6.6″ + 4″ x 4″ filters)
Matte Box Set MB-16 (4″ x 4″ filters)

Follow-Focus

Lightweight Follow Focus Set FF1 + flexible shaft
Follow Focus Set FF3 + flexible shaft
Denz Follow-Focus (simplified FF-3)

Rain Deflection System

Director’s Viewfinder

Arri Director’s Viewfinder (PL mount, with 1:1.33, 1:1.85 and 1:2.35 ground glasses)
Denz Director’s Viewfinder (PL mount)

Automatic Focus Systems
CineTape Measuring System (ultrasonic focus rangefinder)

Light Meters

Minolta SpotMeter F
Minolta Exposure Meter IV F
Minolta Colour Temperature Meter

Slates (Clapper-Boards)

Ambient Radio Timecode Master Film Slate
Film Slates (White)
Film Slate (Black)

Small Accessories

Radios
Harrison Film Changing Tents
Gecko-Cam Large Film Changing Bag
Grey and Colour Control Cards
Magliner style kit trolley
Easy-Up Tent – 2m x 3m x 1.8m
Director’s Chairs

Tiffen Glass Filters
Description

4 inch x 4 inch filters (for MB-14, MB-16, and LMB-5 matte-boxes)

Clear Glass (Protective)
Sky 1A
Haze 2A
Linear Polariser
ND 0.3
ND 0.6
ND 0.9
ND 1.2
85
85 ND 0.3
85 ND 0.6
85 ND 0.9
Grad Soft Edge – Clear / ND 0.3
Grad Soft Edge – Clear / ND 0.6
Grad Soft Edge – Clear / ND 0.9
Grad Soft Edge – Clear / Skyfire 2
Grad Soft Edge – Clear / Sunset 1
Grad Soft Edge – Clear / Blue 2
Enhancer
Pro-Mist 1/2
Black ProMist 1
Warm Pro-Mist 1
812
Ultra-Contrast
Fog 1
Cool Day for Night
Coral 1
Tobacco 1
FL-B (to balance flourescent lights)

6.6 inch x 6.6 inch filters (for MB-14 and LMB-4 matte-boxes)

Clear Glass (Protective)
Sky 1A
Linear Polariser
Warm Polariser
ND 0.3
ND 0.6
ND 0.9
85
85 ND 0.3
85 ND 0.6
85 ND 0.9
Grad Soft Edge – Clear / ND 0.3
Grad Soft Edge – Clear / ND 0.6
Grad Soft Edge – Clear / ND 0.9
Grad Hard Edge – Clear / ND 0.6
Grad Hard Edge – Clear / ND 0.9
Cool Day for Night
Tobacco 1
Coral 1/2

SPECIAL OFFER: Every fifth filter ordered is FREE!!!
Heads, Tripods, Camera Support Systems
Description

Heads and Tripod Sets

O’Connor Fluid Head 2575C-3F + 155 tripod + 155 Baby tripod + High Hat
Ronford “Atlas” Fluid Head + Long + Short Legs
Sachtler “Cine 75″ fluid head + long legs, medium legs + short legs
Sachtler “Studio 9+9″ fluid head + medium/long legs + short legs
Arrihead 2 (geared pan and tilt tripod head with legs)

Other Camera Support Systems

Ronford Low Angle Tripod Set – includes High-Hat, drill plates, suction cup mounts, lazy leg, low-profile ball mount, and much more!
Ronford Series 7 Mk IV 3-axis head (all three axis rotate 360 degrees, camera can also be underhung within 2 cm of ground; many more options than a simple Dutch head!)
Mini-Skater mini-dolly system – slides camera across flat surfaces at very low angles!
Denz Swinghead (for simple “Dutch” camera angles)
GFM Tilt Plate (tilts camera when mounted on head up to 104 degrees (i.e. past vertical))
Large “Cinesaddle” saddle bag (for 35mm cameras)

See also Camera Grip and Rigging section

Playback and On-Set Editing Systems
Description

Lightweight Portable Playback Systems

Panther complete mobile playback system with video transmitter and combined video receiver / Sony DV watchman unit. Ideal for Steadicam and handheld filming.
Transvideo Titan professional video sender and receiver system (range 300m – goes through walls!); 2.4 to 2.5GHz frequency (legal in all countries), 5 available channels, 9V-36V power, 200g unit weight. Requires monitors and recorder!

Rack-based Playback Systems

Doremi V1x2 professional digital video recorder playback system – records video from 2 cameras at same time with 4 channels of sound, logs “takes”, and allows instant access to all material. This high-end playback system features high-low speed camera simulation, variable compression rates, over 34 hours of storage space, and output of material to VHS, DVD or computer. Complete with system monitor, 1 x 17″ professional monitor, 2 x 14″ professional monitors, and Transvideo Titan sender / receiver .
Hard disc / DVD recorder playback system with over 20 hours of hard disc storage space, VHS recorder, and 1 x 14″ professional monitor

On-Set Edit / Playback System

On-set editing system – Apple Mac G5 2 x 2.5 GHz 2GB RAM 240 GB memory computer with Deck-Link Extreme video card (no compression!). Software includes Final Cut Pro and After FX Pro.
Frozen Moments Still Photo-Camera Array
Description

Frozen Moments photo camera array – 100 professional camera system with equipped with 28mm-80mm lenses, plus digital control. Can be fired sequentially or simultaneously, in a circle or various other configurations. The only limit is your imagination!

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The People of Republic Desire Update-20090925

admin — Fri, 25 Sep 2009 05:29:48 +0000

Hey Guys, here is a quick update about our film “The people of Republic desire”

We are currently working on the audition, finalize the big roles in the film, it’s going quite well and we are hoping to finish everything soon, but we are also searching for the small role cast, if you have a Chinese face with fluent English, feel free to send us your bio with previous work, we would love to send you some info regarding the audition.

Crew: Same as the casting, we are finalize the main crew member these days, if you willing to join the production, here are the available position:

Intern: For both pre-prod and prod

Assistant for different department: Art, Location, Equipment, Logistic, Talent Management, etc

prdthemovie@brightshadowfilms.com

Pic From here

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