Bright Shadow Films » film china

Hong Kong Filmart launches documentary market

admin — Wed, 10 Feb 2010 09:11:14 +0000

Original Story On Screendaily

Hong Kong Filmart is launching a three-day documentary event at this year’s edition.

Hong Kong Filmart is launching a documentary event, Asian Side of the Doc (ASD), at this year’s edition of the film, TV and digital entertainment market (March 22-25).

Sponsored by Europe’s MEDIA programme and following the model of French event Sunny Side of the DOC, ASD is expected to attract more than 150 film, TV and new media executives from Asia, Europe and North America.

In addition to the buying and selling of documentaries, the three-day event will also include workshops, screenings, pitching sessions and networking events.

For the sixth year running, Filmart will take place under the umbrella of Entertainment Expo 2010, which this year encompasses nine events between March 22 and April 18, including the Hong Kong Asia Film Financing Forum (HAF), the Hong Kong International Film Festival and the Hong Kong Film Awards (see details below).

Filmart organisers, the Hong Kong Trade Development Council (HKTDC), also said that more than 500 exhibitors from over 20 countries and regions have signed up for this year’s market. Highlights also include two conferences: Europe/Asia: A New Era For TV And Film Cooperation; and Computer-Generated Animation In A World After Avatar.

In addition, the Association of Motion Picture Post Production Professionals is organising a series of programmes, seminars and workshops on 3D film.

Full list of Entertainment Expo events:

Filmart (March 22-25)

Hong Kong Asia Film Financing Forum (March 22-24)

Hong Kong International Film Festival (March 21-April 6)

Asian Film Awards (March 22)

Hong Kong Film Awards (April 18)

Hong Kong Independent Short Film and Video Awards (March 12-21)

Hong Kong Music Fair (March 20-22)

IFPI Hong Kong Top Sales Music Award (April 7)

Digital Entertainment Leadership Forum (March 23)

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Transformers II Getting Huge in China

admin — Mon, 29 Jun 2009 07:43:11 +0000

If you are in China and you are planning on watch Transformers II in the cinema, you will see how popular this film it is in China, I just found this article in Variety.com and it seems this movie’s box office has gone huge all over the world.

Here is the article from Variety(By PAMELA MCCLINTOCK)

Aside from its whopping five-day domestic tally — the second highest of all time — Paramount’s “Transformers: Revenge of the Fallen” broke records in several countries overseas, leading to a massive $387.3 million worldwide through Sunday, one of the best global launches ever.

The five-day opening gross of $201.2 million from 4,234 theaters domestically easily eclipsed the $152.4 million earned by “Spider-Man 2,” which previously held the five-day record for a Wednesday launch. And “Transformers 2″ nearly matched the best five-day gross of all time: $203.8 million for WB’s “The Dark Knight.”

Overseas, the action tentpole opened to an estimated $162 million, the fourth best international opening of all time, after “Pirates of the Caribbean: At World’s End” ($216.3 million), “Harry Potter and the Order of the Phoenix” ($193 million) and “Spider-Man 3″ ($164.9 million). The sequel’s foreign cume was $186.1 million when factoring in the $24.1 million earned the previous weekend in the U.K. and Japan.

Although the Michael Bay-helmed pic sucked up most of the oxygen at the box office, other pics scored notable numbers. Disney-Pixar’s “Up” surpassed Par’s “Star Trek” to become the year’s highest-grossing title at the domestic B.O. (The film’s cume through Sunday was an estimated $250.2 million, boosted by the added charge for 3-D tickets.)

Warner Bros.’ “The Hangover” passed $200 million at the worldwide B.O. Domestically, it saw $17.2 million from 3,525 for a cume of $183.2 million. Abroad, film earned $10.1 million from 1,250 runs in 29 markets for a cume of $46.2 million and worldwide tally of $229.2 million.

Several specialty titles popped, including Summit Entertainment’s “The Hurt Locker.” Directed by Kathryn Bigelow, the film posted a per-screen average of $36,000 as it opened in four theaters in L.A. and New York, grossing an estimated $144,000.

The weekend’s only wide release besides “Revenge of the Fallen” was Cameron Diaz-Abigail Breslin drama “My Sister’s Keeper.” The film saw modest biz in grossing $12 million from 2,606 runs to come in No. 5 for the weekend.

In other holdover action, Fox’s “Night at the Museum: Battle of the Smithsonian” crossed the $200 million mark internationally as it grossed $5.2 million from 4,000 runs in 62 territories for a foreign cume of $202.3 million and worldwide tally of $365.5 million.

Sony continued to see strong international results for “Terminator Salvation,” which grossed $10.1 million for the sesh from 7,470 theaters in 70 markets for a foreign cume of $193.7 million. Accounting for territories where Sony isn’t distributing, pic’s total foreign gross is $219.5 million.

The romantic comedy “The Proposal,” from the Mouse House, continued to click. The Sandra Bullock-Ryan Reynolds starrer dipped 45% to an estimated $18.5 million from 3,058 runs; cume is $69 million. The pic grossed another $7.2 million overseas for the weekend, putting the worldwide cume at $91.7 million in its first 10 days.

On the domestic front, Focus Features’ dramedy “Away We Go” landed in the No. 10 spot in its fourth week, grossing $1.7 million as it expanded into 495 locations for a per-screen average of $3,390 and cume of $3.4 million.

And Woody Allen’s “Whatever Works,” from Sony Pictures Classics, grossed $386,286 in its second frame for a per-screen average of $11,036 and cume of $765,433.

Miramax’s Michelle Pfeiffer period piece “Cheri” grossed $408,000 as it opened on 76 screens for a per-location average of $5,368.

Not having such a good weekend domestically was Sony’s Jack Black-Michael Cera laffer “Year One,” which tumbled 70% in its second frame to $5.8 million for a domestic cume of $32.3 million.

But the big news, of course, is the “Transformers” sequel, the first tentpole since “Dark Knight” to truly rocket into the B.O. stratosphere.

Paramount co-chair Rob Moore said the pic played to a much broader audience than its predecessor, noting that the first time around, males made up 60% of the audience. This time, that number dropped to 54%.

More important to Moore: Despite negative reviews, more than 90% of those polled as they left theaters said the sequel was as good as, or better than, the first.

“To us, that’s the most compelling data point,” Moore said. “The thing that works so much about this franchise is the level of optimism and fun that’s inherent in it. It transports you to a world that stretches reality but is a ton of fun.”

Par execs were particularly pleased, since the studio pegs the pic’s production and worldwide marketing at $350 million — which the film already surpassed in five days.

In terms of just the three-day weekend, “Transformers 2″ grossed $112 million domestically. That, plus the $163 million international opening, makes for a worldwide weekend bow of $274 million, the third best after “Pirates of the Caribbean: At World End” ($356.1 million) and “Spider-Man 3″ ($315.9 million).

The international haul was led by China at $21.9 million — the biggest opening of all time for an English-language movie. While it played strongest in Asia, “Revenge of the Fallen” performed ahead of the first film in almost every market, proving that the franchise has taken hold, Paramount prexy of international distribution Andrew Cripps said.

“Transformers,” which Par and DreamWorks debuted over the Fourth of July holiday in 2007, opened to $70.5 million domestically on its way to cuming $319.2 million in North America and $700 million worldwide.

Imax also participated in the “Transformers 2″ bounty. The pic played on 169 Imax screens domestically. Five-day opening gross at Imax sites was a record $14.4 million.

The “Transformers” franchise was among the projects that reverted to Paramount after its split with DreamWorks, although Steven Spielberg remained an exec producer on the sequel and DreamWorks’ logo appears at the opening of the pic and in ads.

Adam Goodman, who arrived at Par six months ago from DreamWorks, helped guide both “Transformer” pics. Just days before the “Transformers” sequel opened, Paramount chair-CEO Brad Grey announced that Goodman was being upped to Paramount Film Group prexy as production toppers John Lesher and Brad Weston were exiting the studio.

Grey also lauded Bay’s ability to connect with audiences. He said the entire Par family is “proud to be behind him, and we look forward to our collaboration with him in the future.”

“Transformers 3″ is tentatively slotted to open July 1, 2011.

In the meantime, “Revenge of the Fallen” is expected to remain a sizable B.O. force in the coming days, looming over such new fare as 20th Century Fox’s 3-D toon “Ice Age: Dawn of the Dinosaurs,” which opens Wednesday.

Also opening Wednesday is Universal’s Johnny Depp gangster pic “Public Enemies.”

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The 12th Shanghai International Film Festival 2009 concludes

admin — Mon, 22 Jun 2009 06:33:10 +0000

Award for Best Feature Film
ORIGINAL directed by Antonio Tublén / Alexander Brøndsted
Jury Comments: Using this title for a film is dangerous, almost suicidal. But the film more than met the challenge the title lays down. A light, touching and subversive study of mental illness that is compassionate and never sentimental. From the opening image of a fish tank being peeled open to the Mexican wrestlers tumbling in the heroes’ mind we know we had found the best film …… ORGINAL!
Jury Grand Prix
THE SEARCH directed by Pema Tseden
Jury Comments: The most challenging film we saw, almost a meditation in patience as well as an exercise in it for the viewer, uncompromising but funny and humane too. We look forward to many more films from Tibet.
Jury Award
EMPIRE OF SILVER directed by Christina Yao
Jury Comments: To the director and her cast and crew for the detail and craft on such an epic scale and in such extraordinary locations. And for reminding us, especially at this time that bankers should be kind and righteous.
Award for Best Director
Julius Sevcik for NORMAL
Jury Comments: A dazzling and technically bold director in command of all elements delivering his challenging vision of the serial killer genre.
Award for Best Actor
Sverrir Gudnason in ORIGINAL directed by Antonio Tublén/Alexander Brøndsted
Jury Comments: Is he acting, fantasizing, fooling everyone – and himself – or is he simply crazy – we never really know. What we know is that this young actor’s brilliant, sensitive, humorous and vulnerable performance is absolutely mesmerizing.
Award for Best Actress
Simone Tang in ACHING HEARTS directed by Nils Malmros
Jury Comments: For the control and clarity of complex emotions perfectly captured by a performance that lures us in until we find ourselves, like the young hero, repulsed.
Award for Best Screenplay
Fabio Bonifacci/ Giulio Manfredonia for WE CAN DO THAT
Jury Comments: Their screenplay documents with wit and clarity – a true story of the way political philosophy can intersect with social need and build something truly transforming
Award for Best Cinematography
Nicolas Guicheteau / Hans Meier for NOWHERE PROMISED LAND
Jury Comments: This is the most contentious decision. It is not in the classical tradition but more an acknowledgement that cinematography in the modern era can be about ways of seeing; what you look at and how it looks back at you.
Award for Best Music
Hyoung-woo ROH for ROUGH CUT
Jury Comments: Modern, pulpy, deliberately undermining and enlivening the gangster genre

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Our Sound Work Showreel

admin — Mon, 25 May 2009 05:51:57 +0000

We worked with 37 digital for this video, the video was made in 3D, we made all the sound in this video in 2 days, if you have a speaker, feel free to turn it louder and listen to the amazing work we have done, sametime you are welcome to visit Birght Shadow Films and watch this video with our German imported monitoring speaker.

[flv]http://www.brightshadowfilms.com/medias/fichier_58.flv[/flv]

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A Few Pictures From Sophie Marceau Premiere

admin — Wed, 20 May 2009 10:14:58 +0000

Ever Since Bright Shadow Films Set the distribution department, we have been very busy with some distribution work in China, we bring the western movies into Chinese Cinema.

In April 2009, Our first project ” Female Agent (Les femmes de l’ombre) ” went great in China, we brought the famous French actress Sophie Marceau into Beijing and Shanghai for the film premiere, the whole project went very smooth, if you search it in Chinese, you can find a lot of report about it.

Recently our distribution manager Gregory is in Cannes Film Festival, hopefully in this year you can see more work from Bright Shadow Films, same time if you have any thoughts regarding our project, feel free to contact us: info@brightshadowfilms.com

Here is a few random pictures from that night’s Shanghai premiere:

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Welcome to Visit our booth during SIFF!

admin — Tue, 19 May 2009 08:40:21 +0000

Just a quick update for you guys who will come to Shanghai International Film Festival, we will have our booth in Shanghai International Film Festival Market Area, Our film booth number is 221, hope to see you in the Festival.

Our manager Charlie Moretti will join this festival, same time our distribution manager Gregory will show up in the festival, too. Feel free to contact us for the visit! Hope to see you there!

clark@brightshadowfilms.com

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How To Make it In China

admin — Thu, 14 May 2009 06:16:30 +0000

Arriving on foreign soil, where everyone speaks a different language and the tastes, smells and sights are all so unlike anything you are used to, can be a daunting experience. An experience that immediately hits expats on arrival in modern, cosmopolitan Shanghai.

Then magnify this feeling if you are starting a business. And more people are starting businesses because Shanghai is hot and its rapid rate of growth makes it a very desirable place to set up shop.

Four expats — from Canada, France, the United States, and Germany — explain how they started their own unique and successful companies. And an Australian is getting ready to start his own.

They are thrilled at the opportunities, while citing regulations as inevitable but not unsurmountable to those with drive, ingenuity and often a Chinese partner.

“My approach was a lot more speculative,” says Charlie Moretti, Bright Shadow Films managing director.

Starting his Shanghai-based film production company in 2004, the French producer explains, “I threw myself in at the deep end. Only buying a one-way ticket here, I thought, ‘I am at an age when I can take a risk so I may as well do it now in a place that is growing and where there is not yet much competition.”

Moretti has been invited to be in the “Who’s Who” guide to Shanghai and his company is starting to be recognized internationally as a small facilitator to the Chinese movie industry.

He sells footage to US filmmakers and organizes China shoots for international clients. He can arrange footage of imperial sagas evocative of the film “Hero” — or whatever a client desires. He is also working on his own films.

“I chose to set up my company here, after spending time in Hong Kong. I saw the potential in China and it was clear Shanghai was to be the next big thing.”

Moretti has a background in UK films and worked on productions such as “Layer Cake,” starring Daniel Craig, the new James Bond. “I always had in my mind that Shanghai is where I would start up my company,” he says.

Before setting up Bright Shadow Films, Moretti spent one year learning Mandarin, researching the Chinese film industry and selling his project to potential investors.

With two documentaries now under his belt and two films in active development, he says, “I am so pleased I took the gamble.”

“Initially moving out here was a daunting concept as it meant leaving everything behind, but there are so many more opportunities here that I would not have in Europe,” Moretti explains.

“I saw so much potential with many lavish sets and blockbuster films being made.”

At the time Moretti moved here, there were no foreign set-up film production companies in China.

“It is still forbidden for foreigners to wholly own media companies. However, I got round this by making a strategic partnership in China.”

The immediate future for Bright Shadow is about keeping the momentum going. “Film-wise, it is about managing to mix Chinese talent with our production and distribution capabilities in the hope of gratifying and promoting further the Chinese movie industry,” says Moretti.

“I feel very positive about what the company has achieved. It is very exciting to be part of such a diverse culture that makes every day an adventure, reminding me how lucky I am to have chosen Shanghai as my business and my home.”

For more information, visit www.brightshadowfilms.com.

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