Bright Shadow Films » music composing

CFPC’s project is on theatrical release

admin — Thu, 11 Mar 2010 08:49:07 +0000

Directed by China’s young director Yang Shupeng, THE ROBBER, whose leading actors include Hu Jun and Jiang Wu, has been on theatrical release since Nov 20th, 2009.

THE ROBBER is one of the films going public screening among the projects of SIFF’s China Film Pitch and Catch. It is Yang’s second feature film after his maiden work THE COLD FLAME.

Since its debut in CFPC of SIFF 2007, THE ROBBER has been considered as market promising and won CFPC’s award for Most Promising Project to Invest. It was well evaluated by investors and received collaboration intentions from international distributors including AVIX of Japan when it started to shoot.

In addition to THE ROBBER, other CFPC’s projects such as ONCE UPON A TIME IN TIBET by DAI Wei and THE LAST RAINSTORM by Leste Chen are now almost finished and scheduled for theatrical release the coming year.

SIFF’s CFPC serves as a bridge for the connection between film projects and investors, the place in which the young film makes can benefit from the concept of investors as well as their insight to the market. This helps young film makers better understand the market and enlarge the possibility for their project’s success.

The China Film Pitch and Catch is one of SIFF’s efforts to explore, support and promote the young. During the past few years, SIFF integrated its resource to be an effective system consisting of pitching, co-production and competition. The China’s annual leading festival hopes these efforts could encourage directors’ brave innovation and practice in arts while at the same time provide them the chance for their development worldwide. Wanma Caidan, SIFF’s best director of Asian New Talent Award 2006 for his THE SILENT HOLY STONES, brought his project ON THE ROAD TO LHASA to CFPC. His latest THE SEARCH competed for the grand Jin Jue Award of SIFF and is selected by the jury panel head by Danny Boyle as the winner of Jury Grand Prix. It’s now going for the theatrical screening in France by the end this year.

Either Yang Shupeng or Wanma Caidan, or THE ROBBER or THE SEARCH, it’s just a start. The young generation of China’s Film Industry grows fast and shows their talent to the world. The Shanghai International Film Festival will continue to set up a international stage for them.

The 13th Shanghai International Film Festival is due to start on June 12, 2010.

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The People of Republic Desire Update-20090925

admin — Fri, 25 Sep 2009 05:29:48 +0000

Hey Guys, here is a quick update about our film “The people of Republic desire”

We are currently working on the audition, finalize the big roles in the film, it’s going quite well and we are hoping to finish everything soon, but we are also searching for the small role cast, if you have a Chinese face with fluent English, feel free to send us your bio with previous work, we would love to send you some info regarding the audition.

Crew: Same as the casting, we are finalize the main crew member these days, if you willing to join the production, here are the available position:

Intern: For both pre-prod and prod

Assistant for different department: Art, Location, Equipment, Logistic, Talent Management, etc

prdthemovie@brightshadowfilms.com

Pic From here

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People’s Republic of Desire

admin — Wed, 16 Sep 2009 09:34:52 +0000

The People’s Republic of Desire hits Shanghai

Local film production company Bright Shadow Films is preparing to start filming on their debut feature-length film, The People’s Republic of Desire, an adaptation of Annie Wang’s 2006 novel. The shoot is scheduled for the middle of next month.

The novel has been dubbed a “Sex in the City for Chinese women” – centering on four female friends, just as in the TV show. “It’s about single women and love, but that’s not the only thing,” says Lucy Brydon, who co-wrote the script with Jenny Hammond. “It’s not quite so directly about romance – the book has a lot to offer in terms of Chinese culture as well.”

Although the original story is set in modern day Beijing, the film adaptation will be set in Shanghai. “Shanghai’s just a sexier city, no offense to Beijing,” Brydon says with a laugh. Author Wang was on hand during the adaptation process, and has given her approval of the treatment. “[Wang] kept tabs, but she didn’t have any strict guidelines. She’s a ball of energy – very smart, very cool,” says Brydon, also mentioning the challenge of adapting the book, which was originally comprised of columns, into a cohesive film narrative. “We basically started by taking all the dialogue and went from there,” she says.

Bright Shadow’s managing director Charlie Moretti, who will also act as the film’s producer, reveals – without giving too much away – that the film will be shot on location, all over the city, including scenes at “the Hyatt, 1933, Chinatown – all the famous landmarks that Shanghai residents will recognize.” The shoot will last six weeks, he says, beginning at the end of September and lasting through the fall.

Already attached to the project is UK actor Andrew Lincoln, who has previously appeared in 2003’s Love, Actually (which Moretti likens to PRD), Scenes of a Sexual Nature and numerous British TV shows. “It’s an ensemble piece – but Andrew is our male lead,” says Moretti, highlighting that the production will involve over 30 crew members. Also confirmed for the project is director Alexei Berteig and director of photography Mark Pugh. Bright Shadow is currently working to confirm several additional actors, including the film’s four female leads, who will be of Chinese descent.

The film will be shot in English, although Moretti confirms that there will be dubbing for a domestic Chinese release. Bright Shadow has big hopes for the film, with a multi-million RMB budget and plans for an international release. “We’re aiming for April 2010,” says Moretti. “[Coinciding with the Expo] is part of the point, but realistically, we always knew it would be in the second quarter April, and we want to release it as early as possible to get as many viewers as possible.”

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In need of cash, Hollywood looks to India, China

admin — Wed, 02 Sep 2009 04:12:17 +0000

This Article Originally From:Reuters

LOS ANGELES (Reuters) – Disney’s $4 billion purchase of “Iron Man” moviemaker Marvel Entertainment signals a possible wave of media industry consolidation, but the cash to do deals may come from India or China, not Hollywood or Wall Street.

Even before Walt Disney Co (DIS.N) and Marvel Entertainment Inc (MVL.N) made their announcement on Monday, Hollywood watchers said Indian firm Reliance ADA Group’s recent $325 million investment in Steven Spielberg’s DreamWorks movie studio was a sign that opportunity exists for similar deals.

As the recession took hold in late 2007, Hollywood saw financing from U.S. hedge funds and banks dry up, and experts say Indian and Chinese firms are now in a better position to invest. For its part, Hollywood needs overseas cash to continue expanding globally where growth opportunities are strongest.

“If you have capital to invest, you can probably cut a better deal now than any time in the last ten years,” said Larry Gerbrandt, principal at consultancy Media Valuation Partners.

“A lot of Indian and Chinese companies have excess capital these days and Hollywood, aside from the fact there’s a certain glamour factor, those (Indian and Chinese) markets also need content, so there’s interesting deals to be made.”

Sky Moore, an attorney who worked with Reliance as it put together the DreamWorks financing package, said a bigger deal could be in the offing within two years.

“I think the bigger move is buying a studio, and I don’t know if it will be (a company from) India or China, but I think somebody is going to buy a studio,” Moore said.

STUDIO TARGETS

The Disney/Marvel deal fueled speculation DreamWorks Animation SKG Inc (DWA.O), maker of the “Shrek” movies and a separate company from DreamWorks Studios, could be next on the acquisition target list because of its solid position in the marketplace and focus on the lucrative family market.

Moore and Gerbrandt also named Metro-Goldwyn-Mayer Inc as a potential acquisition target, although they said they had no specific information of any deal in the works.

Rumors of MGM’s potential sale have surfaced for years. The storied Hollywood studio faces looming payments on $3.7 billion of debt from a 2005 buyout of the firm, and earlier this week it replaced its CEO and hired a turnaround expert.

Chinese film studios are strengthening ties with their peers across the Pacific. The Huayi group, which Morgan Stanley called “China’s Warner Bros for tomorrow,” has said it is seeking capital to expand and has developed movies with Hollywood majors such as Sony Pictures. Its larger rival, The China Film Group, is reportedly keen on developing projects in the United States as well.

India’s expanding reach into Hollywood has included Reliance’s purchase of about 50 U.S. theaters and Indian entertainment company UTV’s investment of tens of millions of dollars over the last three years in several movies, including “The Happening” and “The Namesake,” Moore said.

“It’s not about bringing Bollywood to Hollywood, it’s about mainstream worldwide English-language entertainment,” he said.

Hollywood studios have also made big investments in India. Warner Bros, a division of Time Warner Inc (TWX.N), has signed multi-picture deals with Indian companies People Tree Films and Ocher Studios.

Twentieth Century Fox, a division of News Corp (NWSA.O), has started a joint venture with Asian broadcaster Star to create films for India under the name Fox Star Studios.

Foreign investment in Hollywood is nothing new, of course. In the 1990s, German tax credits spurred production of U.S. movies, and before that Japan’s Sony Co (6758.T) in 1989 bought Columbia Pictures. Sony also has a stake in MGM.

David Molner, managing director of Screen Capital International, a media and entertainment financing firm, said that absent foreign investment, Hollywood could simply have to endure a slowdown due to lack of capital.

“Either the Asians lead the pack or we have a lull,” he said. “Mostly because they’re probably going to be the fastest out of the blocks as the economy recovers.”

(Reporting by Alex Dobuzinskis; Editing by Bob Tourtellotte and Tim Dobbyn, Phil Berlowitz)

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Greg Yu – Music Composer

admin — Wed, 13 May 2009 08:43:56 +0000

Greg Yu Movie Music

For those of you who don’t know about talented composer Greg Yu, here is his Showreel, please let us know what do you think!

Greg Yu TVC Music

Greg Yu Ferrari Film Music

Greg Yu Ferrari Travel Video Music

There you go! If you need any Original Music for your movie, tvc, video, etc. Feel free to drop us an email!

info@brightshadowfilms.com

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