Bright Shadow Films » sound recording

What is a Sino-foreign co-production?

admin — Fri, 11 Dec 2009 06:46:15 +0000

Nature.

A Sino-foreign co-production, simply put, is a contractual arrangement between a foreign party and a Chinese party to conduct filming in China. There may be multiple parties on each side, provided that the Chinese party/parties must be production entity/entities accredited by the State Administration of Radio, Film and Television (SARFT) (for details, see “Structuring a Sino-foreign co-production”). For purposes of Sino-foreign co-production, investors or producers from the Hong Kong and Macao Special Administration Regions and the territory of Taiwan are considered as overseas parties.

Relationship of the parties.

The parties to a Sino-foreign co-production organize and conduct affairs of the co-production, including division of rights and obligations, in accordance with the co-production agreement entered into between them. The parties do not set up a separate entity for purposes of the co-production.

Approval.

All Sino-foreign co-productions must obtain the approval granted by the SARFT before any filming activity commences, and when the film is completed (that is, the censorship approval). Every co-production project can only be directed at producing and shooting one film, and a separate application is required for each project. The approvals are granted on a case-by-case basis depending on the relevant authority’s review of, among other things, the screenplay and the completed film. The regulatory regime captures all film genres and all formats in which filming will be conducted.

Governing authority.

The governing authority for Sino-foreign co-production is the SARFT, in particular, the Film Bureau of the SARFT. Nevertheless, the SARFT has appointed China Film Co-production Corporation (CFCC) as its sole agent to assist in managing and coordinating the applications, conducting preliminary review of the screenplay and completed film, and other logistical matters relating to Sino-foreign co-productions.

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Bright Shadow Films Sponsored Spark 2009

admin — Fri, 22 May 2009 06:22:10 +0000

If you haven’t heard of Spark 2009, you can actually take a look at this Wiki Page

Spark09 was a conference in Shanghai, China that defines its mission as “Igniting new ideas, opportunities and potential in 2009″. It was created due to the negative emotional effect the Global financial crisis of 2008–2009 had on businesses and individuals.

The presentations, each 20 minutes in length, covered the four areas of Humanity, Environment, Business, and Science. Topics included “How can a pig farmer save the world?”, “How can buildings defy gravity?”, and “How does cooking with spice save the panda?”. Speakers were from 51Give, Arup, Bayer, Frog Design, Haworth (company), IDEO, Microsoft, and World Wide Fund for Nature (WWF).

Spark09 was organised by ClarkMorgan which is a corporate training company with headquarters in Shanghai, China. All 19 talks of Spark09 are provided for free viewing online.

This year’s Spark meeting was hold in the tallest building of China : Shanghai World Financial Center

We are glad that we sponsored a meeting like Spark 09, and can’t wait to see the Spark 10.

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Best Sound Production Award Goes To:Benjamin L’Hôtellier

admin — Thu, 14 May 2009 07:30:59 +0000

Good News: Benjamin L’Hôtellier has won the best sound production award in China Cristal Award 2009!
Now if you are looking for a good sound engineer in China, Come to Bright Shadow Films!

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Sound Studio Equipment List

admin — Wed, 13 May 2009 07:43:37 +0000

So here is the list of equipment and software we have been using:

MONITORING:
surround 5.1 setup ADAM S3a + SUB12
surround 5.1 setup DYNAUDIO BM5a + BM9s
COMPRESSOR:
UNIVERSAL AUDIO 2-1176 (2 mono channels / Stereo)
SOUND CARDS:
RME FireFace 800 (with TimeCode IN-OUT & VIDEO IN) – 28 IN OUT AD/DA/DD at 24bit/48kHz (up 24bit/192kHz in Smux mode)
RME HDSP.9652 (with 8 analog output channels card) – 26 IN OUT DD/DA at 24bit/48kHz (up 24bit/192kHz in Smux mode)
CREAMWARE Pulsar II
CONVERTER:
RME ADI.8.DS (8 channels AD/DA, up to 24bit/96kHz)
analog/ADAT/TDIF-1 / DA-88 compatible
CONTROLLER:
MACKIE Control Universal Pro + 2 MCU ext. Pro
MICROPHONES:
AKG C414 B.XLII Stereo Set (for Mono/Stereo/MS micking)
OKTAVA mk-012 Stereo Set (with caps Set: hyper-cardio, cardio, omni)
RODE NT5 Stereo Set
SHURE SM57
SHURE Beta 57
SHURE Beta 52
AKG C2000B (x2)
(+ 6 Shockmounts, 2 articulated mounts & 3 stereo bars)
HEADPHONES:
Sennheiser HD 25-1
Beyerdynamic DT770 Pro
AKG K271S
SHURE Ear Monitor E2
HEADPHONE AMPLIFIERS
2 Presonus HP4 (4 stereo-channels each)
MICROPHONE STANDS:
2 Giant Stands
4 Standard Stands
2 Small Stands
2 Mini-Stands
COMPUTERS:
Proc: Intel Core2Duo E6600 Quad Core
Mother Board: ASUS P5K.E
RAM: CORSAIR TWIN.X (2Gb)
BLACKMAGIC Intensity (HDMI graphic card)
HHD 32Go Raptor [10000 r/min] system
HHD 74Go Raptor [10000 r/min] sessions
HHD 500Go [7200 r/min] data / libraries
HHD 130Go [7200 r/min] video
2 x HHD 500Go ext [7200 r/min] backup
3 SCREENS: 22″ WideScreen
APPLE MACBOOK.PRO 17″ – Intel Core2Duo 2.4Ghz – HHD 160Go.7200r/min
SCREENS:
Projector Screen 250×140 (5.1 Mixing Stage)
40″ WideScreen / HDMI (Rec Room)
VIDEO PROJECTOR:
SONY Bravia / HDMI

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